Very famous song, but still a lot of people don´t notice how much of the credit this busy bassline deserves.
In June of the same year he did his first ever studio session when he played on a little-known Swedish-language ABBA track: ‘Åh, vilka tider’.
Some of my favorite moments are the expressive slides in bar 65 and tension created in bar 79 by using C natural as an approach note to the B minor chord rather than the diatonically ‘correct’ C#. Rutger started playing bass with an early incarnation of the band in 1972 while he was studying classical guitar at Stockholm’s Royal College of Music.
© 2020 No Treble, LLC and respective copyright holders. I’ve tried to be as precise as possible with note lengths and articulation throughout, as they have a huge impact on how the line sits with the other instruments in the track. Rutger continued his association with ABBA’s music and played in the orchestra of the Swedish production of the musical ‘Mamma Mia!’ and, later, on the soundtrack album for ‘Mamma Mia!
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Saw him in person with ABBA on the Dinah Shore Show when I was a page at CBS in the 70s.
The analysis is also very useful.
Bass player Rutger Gunnarsson was a member of various local rock bands in his home town of Linköping during the 1960s.
Rutger was a master bass player!
These alternate endings provide the part with contrast and give the line a ‘question and answer’ feel, a feature shared by many other influential bass lines including “Good Times”, “Walking On The Moon” and “Another One Bites The Dust”. I already have one older transcription so comparation will be interesting. Rutger Gunnarsson 5/2015 May 8, 2015 – Rutger Gunnarsson was born in Linköping, Sweden on February 12, 1946.
It will be fun to compare. He then went on to study at the Royal College of Music in …
By popular demand, our stickers are now back in stock. So Who Is Rutger Gunnarsson? As with previous sections, there’s plenty of rhythmic and melodic variation throughout – check out how seamlessly he moves in and out of the high register fill in bar 31. A snippet of ABBA’s original version can be found in the ‘Undeleted’ medley on the box set ‘Thank You For The Music’.
The verse covers similar ground to the introduction, with the familiar 5th-6th-octave figure from the introduction transposed to fit the E7 harmony (bars 24 and 25). Yes Gunnarsson is a genius, you guys should do a transcription on what he played on “One of us”.
Not only did Rutger go on to appear on all ABBA albums, he also became their main string arranger from 1976 onwards, and also toured with them in 1977, 1979, and 1980. The bass line of “Dancing Queen” is a great example of a part that manages to combine rhythmic interest with melodic phrases and yet somehow never gets in the way of the vocals.
The song was subsequently issued as the B-side of the Swedish version of the ‘Ring Ring’ single.
Grab Some Swag. A melodic pocket player, the late Rutger Gunnarsson anchored all the ABBA slabs, he was their touring bassist on several treks, and also served as … Although he wasn’t the only bassist to appear on the band’s recordings, he handled the lion’s share of the bass duties as well as arranging string and horn parts for many of ABBA’s songs.
With ABBA Rutger played several basses, including a 1960s Fender Jazz, a 1970s Music Man StingRay, a Hagström Super Swede Bass (a model he helped design around 1980), and a Steinberger.
Rutger seems to almost always play the first note of each bar as an exact 8th-note, leaving a little breathing space before the ghost note that anticipates beat two. Few bassists have played on records that have sold over 350 million copies: Paul McCartney, a handful of session kingpins like Carol Kaye, and – lesser known, but still brilliant–ABBA’s Rutger Gunnarsson. Be sure to check out our new Holographic Sticker too! Apparently, Bjorn Ulvaeus and Benny Andersson were inspired by the feel of George McCrae’s 1974 hit “Rock Your Baby” and the track was one of the band’s attempts at a European take on disco, complete with sweeping string lines, soaring vocal melodies and a funky, syncopated bass part. Your information will never be sold, and you can unsubscribe at any time.
He was closely associated with the pop group ABBA.
Notice how Rutger uses contrasting fills at the end of each bar – the first fill uses a classic 5th-6th-octave pattern found in countless Motown and R’n’B recordings, while the second uses a combination of scalar and chromatic notes to move from the low E back to the A pedal.
Although he wasn’t the only bassist to appear on the band’s recordings, he handled the lion’s share of the bass duties as well as arranging string and horn parts for many of ABBA’s songs. As with much of ABBA’s material, the superb bass playing comes courtesy of Rutger Gunnarsson, one of the band’s long-term musical collaborators. One of his mates at the college told him that the Hootenanny Singers (featuring both Björn and Benny at this time) needed a bass player for their 1972 summer tour. When the ABBA period came to an end, he continued working with Björn and Benny through the 1980s, appearing on the Chess concept album, the first Gemini album, and also on the 1993 Josefin Nilsson album, ‘Shapes’. Leland Sklar Announces New Book, “Everybody Loves Me”, Darkglass Electronics Unveils Two New Bass Amps. In the late 1990s, Rutger produced a recording of the unreleased ABBA song ‘Just A Notion’, by the Swedish cover band Arrival. No Treble is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by linking to amazon.com.
The main groove that anchors the introduction and verse sections revolve around a two-bar pattern played with subtle variations each time it repeats. …….downloaded, I am studying it. Our latest bass player to know, Rutger Gunnarsson, contributed some particularly groovy lines to their records and, in addition to touring with the group, composed most of the string arrangements for the band and performed with the musical Mamma Mia! Get the latest news, videos, lessons, and more in your inbox every morning. Follow along with the transcription and the video below. Nice analysis and transcription. The remainder of the song features further variations on the main theme, with liberal use of 16th-note syncopation and chromaticism throughout. Bar 12 shows Rutger opting to play the 3rdof the B7 chord rather than the root, which initially provides more tension but also provides a smoother transition to the D chord in bar 13. When the harmony moves away from the A pedal in bar 9, Rutger’s bass part becomes more rhythmically active and makes frequent use of ghost notes and chromatic approaches, showing the influence of legendary Motown bassist James Jamerson.
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